{"id":1629,"date":"2024-08-05T10:53:02","date_gmt":"2024-08-05T01:53:02","guid":{"rendered":"https:\/\/c-mng.cwh.hokudai.ac.jp\/gi-core.oia\/gsi\/?p=1629"},"modified":"2024-08-05T11:26:36","modified_gmt":"2024-08-05T02:26:36","slug":"1629","status":"publish","type":"post","link":"https:\/\/c-mng.cwh.hokudai.ac.jp\/gi-core.oia\/gsi\/events\/1629.html","title":{"rendered":"Contemporary Indigenous Expression: exchange through art, culture, and friendship"},"content":{"rendered":"

Cross-Cultural Artistic Fusion: The Aboriginal Printing Workshop in Nibutani<\/b><\/h3>\n

GSI website blog text by Kanako Uzawa\u00a0\u00a0\u00a0 June – July 2024<\/p>\n

In the heart of Nibutani, Biratori town, an inspiring event brought together Aboriginal and Ainu artists for a unique cross-cultural artistic experience. The Aboriginal printing workshop, held from June 25 to June 27, 2024, became a vibrant meeting point where creativity flourished and cultural boundaries dissolved.<\/p>\n

The workshop concluded with a few Aboriginal and Ainu art screenings and documentary films at the Historical Museum of Saru River in Nibutani. This event featured 11 talented artists from diverse backgrounds, including wood carvers, embroiderers, filmmakers, performing artists, and weavers, representing various ages and genders.<\/p>\n

Guided by instructor Julian Laffan, the participants were introduced to various materials such as lino and wood. Seeking additional inspiration, they also incorporated natural elements like leaves and stones gathered from a nearby waterfall in the Nibutani area. Throughout the three day-long workshop, artists exchanged ideas, experimented with different carving techniques, and explored the possibilities offered by various printing materials.<\/p>\n

One of the highlights of the workshop was a collaborative piece where each artist contributed to the same carving board. This process allowed for a fascinating interplay of interpretations. For instance, a fish-like figure could be seen as a wave or a tree, depending on the artist’s perspective. Each artist added their unique message to the board, creating a significant artwork that beautifully encapsulates the stories of Aboriginal and Ainu people.<\/p>\n

This workshop not only fostered artistic innovation but also deepened the cultural connections between Aboriginal and Ainu communities, leaving a lasting legacy of shared creativity and mutual respect.<\/p>\n

\"\"<\/p>\n

1. Kanako Uzawa
\n<\/b>\u51fa\u8eab\u5730 Birth Place \u5317\u6d77\u9053\u82eb\u5c0f\u7267 Tomakomai, Hokkaido<\/p>\n

The workshop we had in Nibutani, Hokkaido, was a transformative experience for me, and I like to believe that we all feel the same way.
\nIt was transformative because our Indigenous knowledge, tradition, experience, and voice became one large artwork.
\nAn artwork we can all walk through, touch, smell, and feel.<\/p>\n

As my Indigenous sister here, Mayatile, says, \u201cArt is our life and our life is art.\u201d Nobody was trying to create something aesthetically beautiful in this workshop, but rather something that tells our continuous life story over hundreds of years or even more. The narratives and stories are powerful and bond us together.<\/p>\n

For myself, I used my hands and hand tattoos from both Aboriginal and Ainu designs. By doing so, I brought our traditional practices back to life. My hands became a platform where living designs danced together.<\/p>\n

I want to discuss two key words today: \u201ccontinuity\u201d and \u201cvoice.\u201d<\/p>\n

\u201cContinuity\u201d because that is who we are.<\/p>\n

\u201cContinuity\u201d because we are knowledge holders.<\/p>\n

\u201cContinuity\u201d because we pass on our love and passion to the next generation.<\/p>\n

During my youth, I searched for my voice. It took many years to find it, but then I started thinking, whose voice is it really? The question became stronger when I entered the academia and the museum world. Is it my voice, your voice, or our voice?<\/p>\n

Our workshop created our voices, expressed and presented in many forms and shapes. Voices can be spoken verbally, but it can also be non-verbal.
\nNon-verbal voices can sometimes be more powerful than verbal voices.<\/p>\n

I would like to ask you all where your true voices are.
\nIs it within yourself or within ourselves?<\/p>\n

I think and learned from this workshop that our prints became something that embodied our non-verbal voices and knowledge, which makes everyone feel part of this world and leads us to a more innovative and creative future together.
\nThank you.<\/p>\n

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2. \u5e73\u6751\u592a\u5e79 Daiki Hiramura
\n<\/b>\u51fa\u8eab\u5730 Birth Place\u3000\u5317\u6d77\u9053\u5e73\u53d6 Biratori, Hokkaido<\/p>\n

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Through the workshop, I felt that I got to know a little about Aboriginal culture. This time, experiencing rubber (lino) printmaking and other types of printmaking was stimulating due to the variety of techniques involved. I noticed similarities between Aboriginal patterns and Ainu patterns; both incorporate elements from nature and stories, which I found to be a commonality with the Ainu.<\/p>\n

Regarding the artwork we created, I wondered about its meaning.<\/p>\n

The theme of my work focused on the continuity between the Ainu and nature. I incorporated what I saw and felt at Makauchi waterfalls into my piece. This workshop was my first time receiving inspiration from nature and transforming it into an artwork. Upon completion, I felt unprecedented emotion and satisfaction, and it turned out to be a wonderful experience.<\/p>\n

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3. \u9ad8\u91ce\u5553\u5b50\u3000Keiko Takano
\n<\/b>\u51fa\u8eab\u5730 Her Birthplace is Tokyo. She has lived in Hokkaido for 52 years, moving there in 1972.<\/p>\n

\u4ed6\u306e\u6587\u5316\u3092\u77e5\u308b\u3053\u3068\u306f\u3068\u3066\u3082\u5927\u5207\u3002\u81ea\u5206\u306b\u3068\u3063\u3066\u3082\u523a\u6fc0\u304c\u3042\u3063\u305f\u3002\u305d\u3057\u3066\u3001\u305d\u306e\u4eba\u9054\u3068\u51fa\u4f1a\u3063\u305f\u3053\u3068\u3067\u5fc3\u304c\u8c4a\u304b\u306b\u306a\u3063\u305f\u3002\u7279\u306b\u82e5\u3044\u4eba\u9054\u3084\u30a2\u30a4\u30cc\u6587\u5316\u306b\u3068\u3063\u3066\u3082\u3068\u3066\u3082\u5f79\u7acb\u3064\u3068\u601d\u3046\u3002\u6a21\u69d8\u3001\u7248\u753b\u3001\u304b\u3054\u7de8\u307f\u3082\u305d\u3046\u3060\u3051\u308c\u3069\u3001\u81ea\u5206\u306e\u6587\u5316\u3092\u9ad8\u3081\u308b\u3053\u3068\u304c\u51fa\u6765\u308b\u3068\u601d\u3046\u3002\u3068\u3066\u3082\u8cb4\u91cd\u306a\u6642\u9593\u3067\u3057\u305f\u3002<\/p>\n

\u300c\u305d\u306e\u4f5c\u3063\u305f\u4f5c\u54c1\u306f\u3069\u3046\u8a00\u3046\u610f\u5473\uff1f\u300d<\/p>\n

\u523a\u7e4d\u7d0b\u69d8\u3067\u30aa\u30ea\u30b8\u30ca\u30eb\u3067\u4f5c\u3063\u3066\u307f\u305f\u3002\u81ea\u7136\u3092\u3082\u3068\u306b\u3057\u305f\u3082\u306e\u3002\u7248\u753b\u3067\u3082\u3053\u306e\u3088\u3046\u306a\u7d0b\u69d8\u304c\u51fa\u6765\u308b\u306e\u304b\u3068\u6539\u3081\u3066\u308f\u304b\u308a\u307e\u3057\u305f\u3002<\/p>\n

Learning about other cultures is very important. It was stimulating for me as well, and meeting those people enriched my heart. I believe it is especially beneficial for young people and Ainu culture. Whether it\u2019s patterns, printmaking, or basket weaving, I think it can enhance one’s own culture. It was a very valuable time.<\/p>\n

“What does the artwork you created mean?”<\/b><\/p>\n

I tried creating an original embroidery pattern based on nature. I realized once again that such patterns can also be made with printmaking.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

4. \u5ca1\u672c\u670b\u4e5f\u3000Tomoya Okamoto
\n<\/b>\u51fa\u8eab\u5730 \u6d66\u6cb3\u753a\u3000Her Birthplace is Urakawa City.<\/p>\n

\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u5148\u4f4f\u6c11\u306e\u30ea\u30ce\u30ab\u30c3\u30c8\u7248\u753b\u6280\u6cd5\u3068\u3044\u3046\u3082\u306e\u3092\u4f7f\u3063\u3066\u3001\u82e5\u624b\u304c\u30c7\u30b6\u30a4\u30f3\u3057\u305f\u30a2\u30a4\u30cc\u6587\u69d8\u3068\u30b3\u30e9\u30dc\u30ec\u30fc\u30b7\u30e7\u30f3\u3092\u3057\u307e\u3057\u305f\u3002\u30b4\u30e0\u7248\u753b\u3067\u3057\u305f\u306e\u3067\u3001\u5f6b\u308b\u306e\u306f\u30b5\u30af\u30b5\u30af\u5f6b\u308c\u3066\u3001\u5f6b\u308a\u3084\u3059\u304b\u3063\u305f\u3067\u3059\u3002\u305d\u308c\u305e\u308c\u306e\u82e5\u624b\u3082\u500b\u6027\u3092\u51fa\u3057\u7d20\u6674\u3089\u3057\u3044\u4f5c\u54c1\u304c\u305f\u304f\u3055\u3093\u3067\u304d\u3066\u3044\u3066\u826f\u304b\u3063\u305f\u3068\u601d\u3044\u307e\u3059\u3002<\/p>\n

\u79c1\u304c\u30c7\u30b6\u30a4\u30f3\u3057\u3066\u3001\u5f6b\u3063\u305f\u3082\u306e\u304c\u3001\u6247\u5b50\u306b\u4f7f\u308f\u308c\u3066\u3044\u3066\u3001\u9762\u767d\u3044\u30a2\u30a4\u30c7\u30a2\u3068\u8272\u3005\u306a\u53ef\u80fd\u6027\u3082\u611f\u3058\u307e\u3057\u305f\u30023\u65e5\u9593\u3068\u3044\u3046\u77ed\u3044\u671f\u9593\u3067\u3001\u8a00\u8a9e\u306e\u58c1\u3092\u8d85\u3048\u3066\u3001\u540c\u3058\u5148\u4f4f\u6c11\u65cf\u3068\u3057\u3066\u306e\u8a87\u308a\u3092\u611f\u3058\u8ddd\u96e2\u304c\u7e2e\u307e\u3063\u305f\u6c17\u304c\u3057\u307e\u3059\u3002\u3053\u306e\u7d4c\u9a13\u3092\u6d3b\u304b\u3057\u3066\u4eca\u5f8c\u306e\u5de5\u82b8\u6d3b\u52d5\u306b\u5f79\u7acb\u3066\u3066\u3044\u304d\u305f\u3044\u3068\u601d\u3044\u307e\u3059\u3002\u305d\u3057\u3066\u3044\u3064\u304b\u79c1\u305f\u3061\u304c\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u306b\u884c\u304d\u4eca\u56de\u6765\u3066\u3044\u305f\u3060\u3044\u305f\u65b9\u305f\u3061\u306b\u518d\u4f1a\u3057\u305f\u3044\u3068\u601d\u3044\u307e\u3059\u3002<\/p>\n

Using the lino-cut printmaking technique of Australian Indigenous people, we collaborated with young artists through Ainu patterns. Since it was rubber printmaking, the carving was smooth and easy. I think it was great that each young artist expressed their individuality, resulting in many wonderful works.<\/p>\n

The design I created and carved was printed on a fan, which gave me a sense of the interesting ideas and various possibilities. Despite the short period of three days, we managed to overcome language barriers and felt a sense of pride as fellow Indigenous people, bringing us closer together. I hope to use this experience in my future craft activities and look forward to the day when we can visit Australia and reunite with those who came here.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

 <\/p>\n

5. \u897f\u5c71\u3000\u6dbc\u3000Tomoya Okamoto
\n<\/b>\u51fa\u8eab\u5730 \u632f\u5185\u753a\u3000Her Birthplace is Urakawa City.<\/p>\n

\u4eca\u56de\u306e\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u306f\u3068\u3066\u3082\u697d\u3057\u3044\u4f53\u9a13\u306b\u306a\u308a\u307e\u3057\u305f\u3002<\/p>\n

\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u306e\u7686\u3055\u3093\u30681\u65e5\u305a\u3064\u3057\u3063\u304b\u308a\u3068\u4ea4\u6d41\u3067\u304d\u305f\u3053\u3068\u304c\u3068\u3066\u3082\u826f\u3044\u4f53\u9a13\u306b\u306a\u308a\u3044\u3044\u304a\u3082\u3044\u3067\u3068\u306a\u308a\u307e\u3057\u305f\u3002<\/p>\n

\u4f53\u9a13\u306b\u3064\u3044\u3066\u306f\u6700\u521d\u306f\u4f55\u304b\u3089\u624b\u3092\u3064\u3051\u3066\u3044\u3051\u3070\u3044\u3044\u304b\u3082\u308f\u304b\u3089\u305a\u3067\u3057\u305f\u304c1\u65e5\u76ee\u304c\u7d42\u308f\u308b\u9803\u306b\u306f\u81ea\u5206\u306e\u3084\u308a\u305f\u3044\u6587\u69d8\u304c\u601d\u3044\u3064\u304d\u3057\u3063\u304b\u308a\u3068\u3057\u305f\u4f5c\u54c1\u4f5c\u308a\u3092\u3067\u304d\u305f\u3068\u601d\u3044\u307e\u3059\u3002<\/p>\n

\u307e\u305f\u3001\u30aa\u30fc\u30b9\u30c8\u30e9\u30ea\u30a2\u306e\u7686\u3055\u3093\u306e\u30c7\u30b6\u30a4\u30f3\u529b\u306b\u306f\u9a5a\u304d\u307e\u3057\u305f\u3002<\/p>\n

\u7279\u306b\u5ddd\u3084\u98a8\u666f\u3092\u305d\u306e\u30c7\u30b6\u30a4\u30f3\u306b\u843d\u3068\u3057\u8fbc\u307f\u305d\u3053\u304b\u3089\u81ea\u5206\u305f\u3061\u306e\u30eb\u30fc\u30c4\u306a\u3069\u306b\u7e4b\u3052\u3066\u3044\u304f\u306e\u304c\u9a5a\u304d\u307e\u3057\u305f\u3002<\/p>\n

\u81ea\u5206\u306f\u30a2\u30a4\u30cc\u6587\u69d8\u306b\u56fa\u5b9a\u6982\u5ff5\u304c\u3042\u308a\u3001\u305d\u3053\u304b\u3089\u30eb\u30fc\u30c4\u3084\u601d\u3044\u3092\u30c7\u30b6\u30a4\u30f3\u306b\u4e57\u305b\u308b\u306e\u304c\u3068\u3066\u3082\u82e6\u624b\u306a\u306e\u3067\u65b0\u305f\u306a\u767a\u898b\u304c\u3067\u304d\u3066\u826f\u304b\u3063\u305f\u3067\u3059\u3002<\/p>\n

\u4eca\u5f8c\u3001\u50d5\u305f\u3061\u3082\u4eca\u56de\u306e\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3092\u901a\u3057\u3066\u305f\u304f\u3055\u3093\u306e\u30d2\u30f3\u30c8\u3092\u3082\u3089\u3048\u305f\u306e\u3067\u3069\u3093\u3069\u3093\u5b9f\u8df5\u3057\u3066\u5e83\u3081\u308b\u6d3b\u52d5\u306b\u6d3b\u304b\u3057\u3066\u3044\u304d\u305f\u3044\u3068\u601d\u3044\u307e\u3057\u305f\u3002<\/p>\n

\u3042\u308a\u304c\u3068\u3046\u3054\u3056\u3044\u307e\u3059\u3002<\/p>\n

\u30bd\u30f3\u30ce\u3000\u30a4\u30e4\u30a4\u30e9\u30a4\u30b1\u30ec\uff01\uff01<\/p>\n

This workshop was a very enjoyable experience. It was a great experience and a wonderful memory to be able to interact closely with everyone from Australia each day.<\/p>\n

At first, I didn’t know where to start with the activities, but by the end of the first day, I had come up with the pattern I wanted to create and could make a solid piece of work.<\/p>\n

I was also amazed by the Australians’ design skills. I was especially impressed by how they incorporated elements like rivers and landscapes into their designs, connecting them to their roots.<\/p>\n

I realized that I had a fixed concept of Ainu patterns, and I found it difficult to incorporate my roots and feelings into my designs. This workshop was a great opportunity for new discoveries.<\/p>\n

In the future, we hope to take the many hints we received from this workshop and apply them to our activities, spreading and sharing what we learned.<\/p>\n

Thank you very much.
\nSonno Iyayraykere! (Thank you very much in Ainu)<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

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